LINKS + SCREENINGS |
CLASS 1
overview
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screenings/artists
• Art 21's
Paul Pfeiffer + Tim
Hawkinson
• Interaction
Biennial '99
• Scott
Snibbe
venues for interactive/responsive work
ars electronica
• austria
siggraph • usa
isea • international
venues
deaf
(2003) • holland
icc •
japan
transmediale
• germany
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CLASS 2
myth, metaphor, meaning
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Historical context
• Brief history of computer and web
• JenniCam
• Lev
Manovich
SCREENINGS/ARTISTS
• Mark
Amerika
• Mark
Napier
• Walczat/Wattenburg, The
Apartment
• John Freyer, All
My Life for Sale
• Chris
Barr is available on Thursdays
• Keith Obadike
• Miranda
July and Harold Fletcher, LLYM
• Lee
Walton
• Shelly Silver
video
fluxus compilation |
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CLASS 3
hci
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• David
Rokeby
• Doug Engelbart: references
• Jeffrey
Shaw
• Toni Dove
• Camille
Utterback
• Sarah Drury's Listening
Microphone
• Sketchpad, Grail, and the Dynabook, discussed by Alan
Kay (NMR CD)
• Stelarc
(PingBody and endosculpture)
• Steve Mann
(WearCam research)
• Maggie Orth (musical
jacket)
• Krzystof Wodiczko's Mouthpiece
and Alien Staff
screenings/artists
Allan Kaprow: An Interview (VDB-0172), David Rokeby, Very
Nervous System, Toni Dove, Artificial Changelings (Evolving
Traditions), Interaction '01 |
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CLASS 5
vr+hci
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Historical context
Myron
Krueger, Glowflow, Videoplace
screenings/artists
• Bill
Viola
• Char
Davies
• Maurice
Benayon
• Dan
Sandin
• Diane
Gromala |
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CLASS 6
robotics + ai |
• Eliza/Doctor, Joseph Weizenbaum • Adrianne
Wortzel • Beatriz
da Costa • Continuous
Paper by Nick Montford • Survival
Research Laboratory |
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CLASS 7
art online: chat, blog, game |
• "Izme Pass" by Carolyn Guyer and Martha
Petry (NMR CD)
• Victoria Vesna, Bodies
Incorporated
• Morrissey and Talley, The
Jew's Daughter • Maciej Wisniewski, Jackpot
• Mouchette
• Sissyfight
• Perry
Hoberman, Cathartic User Interface (1995-2000)
• "forking paths" by Stuart Moulthrop (NMR CD)
• Walczat/Wattenburg, The
Apartment • Sawad
Brooks and Beth Stryker • Geoffrey Thomas, Storybeat
• Natalie Bookchin, Metapet,
Intruder • Tropical
America • On Ramp Arts,
• Ricardo
Miranda Zuniga
• Hyper-X Online Gallery, blog
art exhibition |
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CLASS 8
software art + information visualization |
• Golan Levin
• lecielestbleu
• Joshua Davis
• Institute for Applied Autonomy, GraffittiWriter
• Fernando
Orellana
• Mark Napier’s potatoland.org
• Martin Wattenberg and Map
of the Market
• GPS art + locative media- Teri Rueb and others
• Pall Thayer, main site
and Dashboard
level widget
• Jason Salavon
• Sabrina Raaf
•
runme.org • various software art projects
• data
dynamics net art show
•
CODEDOC at the Whitney's Artport
• whitney museum's artport
• Muntadas The
File Room
• John Klima
• Josh On, They Rule |
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CLASS 9
electronic activism |
• Rtmark
• Processing
open source beta project • CAE-Main
site + Genterra
• Spleen
• Adbusters'
campaigns • Buy Nothing Day
• PED
• Paul Vanouse, Milli Chen, Andrew Johnson
• Alexei Shulgin • 386dx
• Moscow
street installation
• Jenny Holzer • Marquees
• Guggenheim
• Peggy Diggs • Milk
Cartons
• Guerrilla
Girls
• Etoy
• Subrosa
• Surveillance
Camera Players
• Institute for Applied Autonomy • Streetwriter
• Ricardo Miranda Zuñiga, Dentimundo
• Tropical
America • On Ramp Arts, Los Angeles, California
• Street Level Youth
Media
• Esther Polak, Ieva Auzina und RIXC - MILKproject
• theyrule.net
(2004) and thisisthepublicdomain.org
(2003) |
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CLASS 10
surveillance + monitoring in art |
• Surveillance
Camera Players
• Swipe
• Carnivore
artworks
• Police
State by Jonah Brucker-Cohen
• Rafael
Lozano-Hammer, Vectorial Elevation
• Bureau of Inverse
Technology, suicide box and bitplane
• open-loop.org
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CLASS 11
biotechnology + art |
Historical context
DNA
visible
human project
SCREENings/artists
• Peter Gena
• Natalie
Jeremijenko
• Eduardo
Kac
•
Christa Sommerer and Laurent Migneou
•
Paul Vanouse
• Adam Zaretsky
• subrosa
• critical art ensemble, genterra
• Karl Sims,
Galapagos
• plant anima
•
perma kitten
• Joe Davis's Microvenus
• CAE: CAE
Defense Fund
• Paradise
Now exhibition documentation
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final project |
1) Current artist's statement (20 copies)
2) Create an application for one of the following exhibitions
or residencies. You may or may not want to actually submit
the project for review.
Isea
2006
Siggraph 2006
Skowhegan residency
Kohler residency
Ragdale
residency
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